Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.  Related Paintings of Caravaggio :. | Salome with the Head of John the Baptist | The Seven Acts of Mercy (detail) dfg | Magdalene (detail) fdf | Supper at Emmaus (detail) fg | Judith and Holofernes |
Related Artists:
Anton Graff
1736-1813 Swiss painter, active in Germany. He was a pupil of Johann Ulrich Schellenburg (1709-95) in Winterthur and continued his training with Johann Jakob Haid in Augsburg between 1756 and 1765. He worked for the court painter Leonhard Schneider (1716-62) in Ansbach from 1757 to 1759, producing large numbers of copies of a portrait of Frederick the Great (probably by Antoine Pesne). This was an important step in furthering his career, as were the months he spent in Regensburg (1764-5) painting miniatures of clerics and town councillors. He was court painter to the Elector Frederick-Christian of Saxe-Weimar in Dresden from 1766 and taught at the Hochschule der Bildende K?nste there. In 1771 he travelled to Berlin, where he painted portraits of Jakob Mendelssohn, Gotthold Ephraim Lessing and J. G. Sulzer. Sulzer introduced him at court, which resulted in many commissions. He was invited several times to teach at the Akademie der K?nste in Berlin, but he remained in Dresden. He often travelled to Leipzig, and in summer he frequently went to Teplitz (now Teplice, Czech Republic) and Karlsbad
st ambrose
Milan; feast day December 7) Bishop of Milan. Raised in Rome, he became a Roman provincial governor. As a compromise candidate, he was unexpectedly elevated from unbaptized layman to bishop of Milan in 374. He established the medieval concept of the Christian emperor as subject to episcopal advice and censure when he forced the emperor Theodosius to seek forgiveness from the bishop, and he opposed tolerance for adherents of Arianism. He wrote theological treatises influenced by Greek philosophy, including On the Holy Spirit and On the Duties of Ministers, as well as a series of hymns. His brilliant sermons and personal example converted St. Augustine.
Sylvester Feodosiyevich Shchdrin
painted Terrace on the Seashore in 1828